Good fiction writing isn’t a formula, but it does have
structure. It also has conventions, and ignoring them is one way to guarantee
that a publisher isn’t going to be interested.
Yes, there are always exceptions. Well-known writers can get
away with almost anything. Some established authors ignore the conventions out
of laziness, knowing that their fans will read whatever they write, even if it
is garbage. Others make a conscious choice to violate a particular convention
because they are going for a certain effect. This is a good reason and can
improve a story. Still, if a beginning writer is trying to attract a publisher,
it is safer to stick with the conventions.
But maybe you don’t know what the conventions are. Examples include
point of view, showing versus telling, and the difference between a plot-driven
and a character-driven story, and they are too complex to explain in this blog
post. So how can a beginning fiction writer learn them? College classes and
writing conferences are always good choices. Or maybe you would rather start by
reading a few good books.
Last week’s post recommended several books dealing with
writing in general. If you are looking for books on fiction techniques, one
place to start is the Write Great Fiction
series from Writers Digest Books. This series includes:
·
Plot and
Structure, by James Scott Bell;
·
Dialogue, by Gloria Kempton;
·
Characters,
Emotion & Viewpoint, by Nancy
Kress;
·
Description
& Setting, by Ron Rozelle; and
·
Revision
& Self-Editing, by James Scott Bell.
Of course, there are many other good books that cover the
same topics, and we would love to hear your suggestions.
Every writer is different, and what works for one may not
work for another. But the writer who understands the elements of fiction will
craft a better novel.
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